"Love never dies a natural death. It dies because we don’t know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.”
– Anaïs Nin

(Source: krayvingcotillard, via marioncotillarding)

Timestamp: 1413779279
"Love never dies a natural death. It dies because we don’t know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.”
– Anaïs Nin

(Source: krayvingcotillard, via marioncotillarding)

(via girlsdamn)

"Maybe the knife was too slow."

Timestamp: 1413779080

We’re not bad people. We just come from a bad place.

(Source: cyberqueer, via marioncotillarding)

Timestamp: 1413779055

We’re not bad people. We just come from a bad place.

(Source: cyberqueer, via marioncotillarding)

(Source: bumazing, via girlsdamn)

Timestamp: 1413779025

(Source: bumazing, via girlsdamn)

The truth is… I am  I r o n   M a n

Timestamp: 1413778822

The truth is… I am  I r o n   M a n

(via mrcheyl)

Timestamp: 1413778768

(via mrcheyl)

I think female sexuality in the film is something which is objectified. The creature that Scarlett plays in the film exists to be objectified. She’s there to be objectified. And what she does in the course of the film, in her own discovery, is she reclaims that, she de-eroticizes her own image, actually. It seems to me to be somehow in line with Scarlett’s life as an actress, and in the way she’s objectified. There’s a parallel idea of her reclaiming her image, and her sexuality in this film, which I think she does. - Jonathan Glazer (x)

(Source: softgrungecersei, via marioncotillarding)

Timestamp: 1413778747

I think female sexuality in the film is something which is objectified. The creature that Scarlett plays in the film exists to be objectified. She’s there to be objectified. And what she does in the course of the film, in her own discovery, is she reclaims that, she de-eroticizes her own image, actually. It seems to me to be somehow in line with Scarlett’s life as an actress, and in the way she’s objectified. There’s a parallel idea of her reclaiming her image, and her sexuality in this film, which I think she does. - Jonathan Glazer (x)

(Source: softgrungecersei, via marioncotillarding)